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We Choose to Go to the Moon

by Revolution, I Love You

/
1.
I’ve got two dirty soles Worn through with ragged holes But they protect my head From this concrete bed Most days they’re not so close But now they rub my nose With the stink and crumbs of streets Where I left you to sleep I’m not sure if I would I’m not sure if I’d ever help me If I were standing where you are I’m not sure if I’d do The same thing that I’m asking you But I sure hope I would Look at the shape they’re in Dirt-caked and wearing thin But they still might manage yet A couple graceful steps
2.
In a summer top, on an empty beach She clutches her bite-marked pen between her teeth And presses her back into the sticks and reeds She gathered in romantic mimicry Just let it go Oh, I know it hurts But let it go It’s hard to admit you’re not as tragic as you think Her open notebook lies between her feet she squeezes her eyes shut tight so all she sees are bursts of red and gold that flicker in the heat while empty pages shuffle in the breeze
3.
Sometimes it rumbles and sometimes it flows so quiet you hardly notice But it’s still pulling on me But it’s still pulling on me With every breath I sing, I start to slip It sucks the air from my slightly parted lips, cool and rushing so fast it makes me sick I can’t stop this If I could calm down, if only I could calm down Waterfalls If I could calm down, if only I could calm down Waterfalls But I can’t, I won’t be still I can’t, I won’t be still You know I need to (na na na na) sing so hard that it shakes me apart This pulsing breastbone won’t make amends, it just quickens
4.
With anxious smiles and fitful swaying You stare like this is just a show You tap your toes in weak atonement But I refuse to dance alone Move your little hips, move your little hips girl I can’t do this on my own Our skin will flush with wine and shaking Unashamed we’ll twist and moan We’ll stomp our feet like slaves and pagans But I can’t do this on my own
5.
Not So Sure 03:38
I told myself that with you gone now I could write more I told myself that I’ve been waiting for years I told myself all the things that you wouldn’t let me get to, I’d get to I told myself I wouldn’t just sit around thinking about you I guess I was wrong Can you hear me out? I’m not so sure anymore I’ll get up out of the house and make myself some new friends Something I haven’t done for years I’m not sure that I know what to do when I’m making new friends When they ask what I’m thinking do I just keep my mouth shut? Can you hear me out? I’m not so sure anymore
6.
(untitled) 01:55
7.
A dozen starts, a dozen stops Just like one man getting beat down by one half a dozen cops Having trouble getting himself off the ground Just like my vain attempt at an anthem underground Bloodied fists and ziptied wrists, like a Hefty bag, or holy rag or paper in the wastebasket Covered with my clever turns of phrase and puns on The Internationale Bandit faces lacking graces chase the steps of older blood and fall down in their paces Impertinent and insolent and beaten where they sit their mouths are full of gravel and I’m just full of shit
8.
All your love… makes me want to be the one and only thing you think about as you go to sleep All your love… makes me want to run out through the cold and rain to catch a bus that’s headed toward your city All your love… makes me wonder if there’s any other way to feel but the way that I feel All your love… makes me ache for wanting you to want me like I’ve always wanted you All your love… makes me wonder just how cool this winter draft would feel if your pillow wasn’t cold All your love… makes me shake and cry and feel my body pull away those nights I can’t get you off my mind All your love… You should’ve kept it to yourself You should’ve kept it to yourself
9.
If you don’t wanna go for a ride, Love I understand I’m not your man Just a hopeful boy, who really wants to hold your hand.
10.

about

"Revolution, I Love You is deconstructed pop music...Costello and the Boss and Phil Spector sucked through a rusty filter of industrialized, hipster dance music." - Origivation Magazine

We Choose to Go to the Moon, the debut full-length album from electronic indie-rockers Revolution, I Love You, is an experiment in pop music. R,ILY culls elements from across the pop spectrum, gritty indie rock guitars, dance and hip hop beats, dramatic choruses, loops, and synthesizers, and uses them to strange and sometimes psychedelic effect.

credits

released August 5, 2011

All tracks were recorded and produced by Robert Lindgren and Jason Reynolds in a Delaware basement and a Philadelphia bedroom. Mastered by Alan Douches at West West Side Studios.

Artwork by Bonaia Rosado

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Revolution, I Love You Philadelphia, Pennsylvania

Revolution, I Love You makes electronic rock, merging fuzzy guitars and dramatic choruses with a backbone of live drums, electronic beats, and buzzing bass. Katrina Murray of The Key (WXPN) says, “Crunchy synth work and loud guitar riffs are central to Revolution, I Love You‘s modern twist on classic rock ‘n roll.” ... more

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